THE ITALIAN DIASPORA: WANTING TO BE AMERICAN

by libbycataldi under Uncategorized

Click here to see the one-minute reel of a presentation I gave in Florence, Italy, about wanting to be America.

While researching IT TAKES A LIFETIME, I interviewed the oldest grandmother in Rotondella so that I could better understand what the village was like during the time of the great diaspora when my grandparents left.

In my American mind, I imagined something dramatic – like a death or scandal – must have happened to make them abandon their families and country, cross the ocean in steerage to start an entirely new life in an entirely new country. 

I asked her, “Why did my grandparents leave? What was the real reason?” 

She looked at me as if I were from outer space. Then she said, clearly and without hesitation, “They wanted to eat. They wanted to EAT!” 

It was in that moment that I realized how little I knew about my own history or  about the depth of the abject poverty and harsh reality of life in Italy in those years, especially in the South and in Basilicata. 

My reflection: From 1876 to 1915, fourteen million Italians emigrated to countries across the globe. My grandparents came during the peak years of 1900 to 1915, when roughly two million Italians arrived in the United States. 

Something to think about: My grandparents crossed an ocean so their children and grandchildren could have a brighter future. However, my mother, who was born in Pittsburgh, told me, “I refused to live life according to rules from a time and a country that wasn’t mine.” She was determined to be fully American. But I came back, searching for truth and connection. I wonder why the past calls some of us home.

 

 

DANCING THE TARANTELLA: A Small Miracle

by libbycataldi under Uncategorized

Nonna and I danced the tarantella               (Mom on the left, Dad on the near right, and Tim’s dad  on the far right)

I’ve always loved the tarantella, a traditional wedding dance in Southern Italy. Even as a child, I begged Nonna to dance it with me. She’d laugh, shuffle a few quick steps, then collapse into a kitchen chair, insisting she didn’t remember “t’is kind’a dance.”

Before my wedding, I pleaded with her to dance it with me, but she adamantly refused. Still, near the end of the cocktail hour, when Nonna announced she was ready to leave, Mom quietly cued the musicians, and the tarantella began.

What followed felt like a small miracle. Nonna sat very still, then lifted her eyes to mine, nodded, and held out her hand. She stood, stepped toward me, and began to dance: clapping, twirling, holding the edges of her dress just so. Guests formed a circle around us as she pulled from her pocket a crisp white handkerchief she had crocheted for her dowry decades earlier. She held one end, I held the other, and we danced in one direction and then the other – her face solemn, as if she were back in Rotondella dancing with Vincenzo.

Then, as suddenly as she began, she nodded again. She was finished. She kissed me, kissed my husband Tim, and told Uncle Jimmy, “Now, I go home,” walking away with a light step and a smile.

We kept dancing the tarantella as she had shown us. I danced with Tim, imagining myself in Rotondella too.

My reflection: I have many tender memories of Nonna, but this one still moves me deeply. She didn’t want to dance “t’is kind’a dance,” but she did it for me.

Something to think about: Isn’t this what we – mothers and grandmothers, fathers and granddads – do? We work to make our loved ones happy. I’ll never know what memories that song stirred in Nonna’s heart, but she loved me and danced because she knew it would bring me joy. And more than fifty years later, it remains one of my most cherished memories.

IS IT IMPORTANT TO PASS ON OUR HISTORY?

by libbycataldi under Uncategorized

Granddaughter Iysa and I in front of Nonna’s door

When my granddaughter Iysa visits me each summer, we return to the Mezzogiorno, back to Rotondella, the hilltop village where our family story began. We stand in front of the padlocked door in Via Cervaro, and I tell her about the hovel in which Carmela lived, the fields where she labored, and the water that she carried up the mountain.

During her first visit to Rotondella, when Iysa was in first grade, she struggled to understand the significance of this village to her life in America. “Sally, at my school,” she questioned me, “came from people who were famous Vikings. Are we famous for anything in Italy besides being poor?”

My reflection: She’s correct that our family history holds the narrative of poverty, but it also holds the narrative of hard-fought wisdom, pride of achievement, respect for education, love of family, and the dignity of living meaningful lives. These are stories I want Iysa to know—the sacrifices made by those who came before her, on whose shoulders she now stands. The ones who lift her up.

Something to think about: Sharing our past might feel difficult or painful, but is it valuable to pass on our family history? How do our histories shape the way future generations might see themselves? These are questions I return to each time I walk with Iysa through those hills, hoping she carries with her not just memories of hardship, but of the strength and light that come from knowing where she truly comes from.

FARE UNA BELLA FIGURA: One of the first things I learned in Italy

Cousin Ferdinando and my granddaughter Iysa

When I first arrived in Florence, my cousin Ferdinando took me to an outdoor cafe near the Piazzale Michelangelo with a magnificent view of Florence. He was pointing out the sites— Bellosguardo, the Duomo, Palazzo Vecchio, and Santa Croce—when the waiter came to take our order. Smiling, I asked for a red wine.

Ferdinando’s face fell. “No. She takes a prosecco. We take two prosecchi.” The waiter nodded approvingly. “Certo, signore. Subito.”

I was stunned. “Why did you change my order?” I asked defensively.

In his halting English, he explained, “In Italy, you must fare una bella figura. This means you must learn to do things correctly, bella, our way.”

“All I did was order wine before my meal. What could be wrong with that?”

“Boh, in America there is nothing wrong, but in Italy, you fare una brutta figura. Wine in Italy is enjoyed with meals. Prosecco is a good choice for an aperitivo which is what we are having: a little drink before dinner. This is our culture, our history.

My reflection: I felt embarrassed, like a child corrected in public. Yet I was also grateful. Ferdinando was opening a door into a world I longed to understand.

Something to think about: Every culture has its own rules—how to tip, how to hail a taxi, even how to eat pasta. Travel opens up the world and teaches us tolerance and understanding. I was grateful to have help.

That evening in Florence was only the first of many such lessons.

 

IT TAKES A LIFETIME TO LEARN HOW TO LIVE: LESSONS FROM MOM’S LAST DAYS

by libbycataldi under Uncategorized
Mom with Jeremy and Jeff

Mom with Jeremy and Jeffrey

When Mom was in hospice, she said, “You know I have fears, but I have courage too. When you were gone, I was sitting right here, and I tried to reach for the wheelchair so I could take myself into the bathroom. I stretched with all my might, but I couldn’t quite make it, so I decided not to take the chance. You see, I had the courage to try, but I was afraid I’d fall.”

“I’m glad you tried, Mom, but I’m more glad you didn’t fall.”

“But don’t you understand?” she pleaded with me. “When I yell at you, it’s because I’m afraid of something. I know I’ve hurt you, and I’m sure I still do. I have many regrets, but most of what I did wrong, I did when I was afraid. I’m still learning about myself, don’t you see? It takes a lifetime to learn how to live.”

My reflection: Mom and I had a complicated relationship, but before her death she allowed me to see her vulnerability. I came to understand that she had a life before she became my mother, and it was that life that shaped her, hurt her, made her who she was. I wish I had understood this years earlier.

Something to think about: In the end, Mom showed incredible courage by allowing me to know her and to understand her emotional wounds. This helped me deepen my relationship with her and to embrace her with compassion. I’ll be forever grateful to her.

THE PHOTO THAT LED THE WAY HOME

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Nonna Carmela, Mom, Bisnonna Laura Manfredi, Nonno Vincenzo

I wrote this in IT TAKES A LIFETIME: Above my head hung a picture of Nonno Vincenzo with my great-grandmother, Bisnonna Laura Manfredi, Nonna, and my mom when she was just four years old. I loved this black-and-white image because it proved to me that these people, two of whom had died before I was born, had once been alive.

Nonno’s birth name was Vincenzo, but when he came to America, he thought this sounded too Italian, so he chose to be called Jim, which he thought was a good, solid American name.

“Oye, my Jim is a good man,” Nonna had told me. “He comes a-first wit’out me to l’America and gets a big job in Pitts-a-burg. He helps many people, gives t’em jobs, and keeps water on to houses of our paesani even when some people tell him to close.”

“But why would people want to shut off the water to the houses of the Italians?”

Her voice became animated, “In t’ose days, t’ere is La Mano Nera, t’e Black Hand. T’ey tell all Italian people to pay a pizza, some money for many t’ings like water in t’e house. Many people are poor and cannot pay not-a-t’ing. My Jim always helps people from the old country. When people need water, he keeps t’e water on. Ma he dies too soon, when he is just a young man.”

“How did he die, Nonna?” I asked.

“A knife in t’e belly.” She looked away from me and refused to say more.

My reflection: The photo gave me a sense of whom I came from, my history. In the end, it truly led me home.

 Something to think about: When we lack accurate historical facts, our minds fill in the gaps with what we think, or want, to be true. That’s what I did. I took the little Nonna told me and invented a world around it.

Have you ever filled in family stories with what you wished had happened? Or have you started your own historical search to understand your past?

 

THELMA AND LOUISE GO TO ROTONDELLA: The Search

by libbycataldi under Uncategorized

Searching ancient records: the Director of the Commune and Ombretta

Ombretta and I were like Thelma and Louise: two women—one American, one Italian—on an adventure. I was Thelma, needing help; Ombretta was Louise, organized, meticulous, fearless.

After Cousin Ferdinando refused to help me find Nonna’s remote village of Rotondella, Ombretta—a friend of his whom I’d met at dinner and who spoke fluent English—called me in Cortona, where I was preparing for my solo trip south to Basilicata.

“I have decided to go to Rotondella with you. Your cousin won’t budge. You don’t understand the language, the culture of the south, the problems with transportation. You cannot go alone.”

I was stunned. When I left the States, Rotondella had existed only in my imagination. Somehow, Nonna had sent a petite, strong, blue-eyed, blond-haired Italian woman to guide me.

“Ombretta, thank you.” My eyes filled with tears. “You have no idea what this means to me.”

“I must hang up now. I leave tomorrow for work and have much to do,” she said.

Then, softer, almost whispering, she added, “I know how important this trip is to you. We will find your grandmother’s Rotondella—and your origins. I promise.”

My reflection: Help sometimes comes from the most unexpected places – a passage in a book, a conversation with a stranger, an unexpected call from a loved one. Sometimes, a friend arrives just in time. Ombretta was that friend for me.

Something to think about: I’ve always loved the saying, “People come into our lives for a season, a reason, or a lifetime.” I’ve been blessed with friends from all three categories. Maybe we all have.

SOMETIMES THE ONLY WAY FORWARD IS TO GO BACK

by libbycataldi under Uncategorized

“Shadows of the past on stone, echoing places
in the souls of people who once were.”

Why did I take a singular journey to Italy to find my roots?: When I was forty-seven years old and had two teenage sons, fear took over my life: Divorce, my older son’s heroin addiction, my dad’s death, and breast cancer were crushing me. I was ground down and didn’t know what to do to save my family, help my son, or heal myself.

Confused and not knowing where to turn, I thought about Nonna Carmela. I remembered well her fierce independence and unshakable strength. I hoped that I had her spirit in me—the unflinching courage to fight back, endure, and protect. She held the key to my survival.

My reflection: When life became too heavy to carry, I felt an overwhelming pull to return to the land where Nonna was born—to feel the dirt, breathe the air, and discover the roots of her strength firsthand. I needed to understand the things that had been most dear to her, and to make them my own.

Something to think about: Sometimes the only way forward is by going back—by seeking out the people, places, and values that shaped us. When life feels overwhelming, where—or to whom—do you turn to find clarity and strength? I’d love to hear from you.

If you would like to preorder a copy, there are several options: Asterism, Bookshop, Barnes & Noble, and Amazon.

TI VOGLIO BENE: What does it mean?

From Grandmother to Granddaughter: Ti voglio bene

I wrote this in IT TAKES A LIFETIME: Nonna’s wedding ring, the band she never took off, was cradled in the hollow of her wrinkled palm. It had been on her finger for over sixty years.

“T’is is for you. My husband is a poor man in Rotondella when he give it to me. It is not very dear, but it is real gold. I want t’at you remember me.”

She threaded it onto the ring finger of my right hand. The ring fit perfectly. I turned the gold circle round and round until it blurred as tears filled my eyes.

“No. No cry, and no be sad. Non essere triste, Nonnared. Ti voglio bene.”

Ti voglio bene; I knew these words. Nonna had taught me that ti amo was only for husbands and wives. From parent to child it is ti voglio beneI want the world for you. I want all good things for you. For you, I want only the best. 

 
My refection: With this transfer of her ring—a symbol of her never-ending love—I understood the true significance of ti voglio bene. Still today, I wear her ring with reverence and tenderness. She is with me as my protector and guide.

Something to think about: Objects can take on great significance after someone we love passes. I remember when a young child at our school lost his dad. He wore his dad’s belt with pride. Do you have such a remembrance? Something that brings someone close? 

If you would like to preorder a copy, there are several options: Asterism, Bookshop, Barnes & Noble, and Amazon.

THE POWER OF A PERSON’S VOICE

Mom and me

After Mom died, I missed her—all of her—but most of all, I missed her voice. There were times I’d reach for the phone to ask for her prayers, only to remember that she wouldn’t be on the other end.

When Nonna died, I knew I would never again hear that English-and-Rotondellese/Italian mix again, a kind of dialect all her own.

And when my dad died, maybe that was the hardest of all. He was the one I called when I needed answers. I remember well, during a particularly difficult time in my life, I dialed his number. He picked up with a strong, “Hello, my one and only daughter.” Just hearing his voice, I wept.

My reflection: Mom’s voice held prayer. Nonna’s voice held safety. Dad’s voice held security. Even now, a sound, a laugh, a song can take me back to them.

Something to think about: Research shows that smell is the strongest trigger for memory, but sound follows close behind, especially voices and music. It’s said that voices carry identity, intimacy, and emotion. When our children remember our voices, what emotions do we hope they’ll feel?

If you would like to preorder a copy, there are several options: Asterism, Bookshop, Barnes & Noble, and Amazon.
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